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The Orchestral Revolution explores the changing listening culture of the eighteenth and early nineteenth centuries. Delving into Enlightenment philosophy, the nature of instruments, compositional practices and reception history, this book describes the birth of a new form of attention to sonority and uncovers the intimate relationship between the development of modern musical aesthetics and.

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Gropius made reference to Thoreau when he built his house less than a mile from Walden Pond. Architecturally, Thoreau’s emphasis on simplicity and on the primacy of pure space over ornament predates Adolf Loos’s seminal “Ornament and Crime” of 1908. Thoreau writes, “A great proportion of architectural ornaments are literally hollow.

Modern Architecture. Oxford History of Art. Alan Colquhoun was born in 1921 and studied architecture in Edinburgh and London. He was in partnership with J. H. Miller from 1961 until 1988.

Reader of selected articles. All readings are available on the course website, linked to on-line syllabus. Required readings must be completed for each class on the day it is listed in the syllabus, the quality of discussion depends on your participation. Evaluation: Discussion questions: Each reading assignment will have a set of discussion questions. Students will submit preliminary answers.

The text is divided into several different chapters titled by the act material is exposed to and under each title a handful of projects are introduced. Aside from individual critique of the selected examples, the text touches upon subjects such as publishing, authorship, appropriation, reading and books in general.

Once banished every singular ornament by the purism of such solutions, as in the proverbial crime exorcised at the time by Adolf Loos, decoration resumes its appeal in the Eighties, it becomes an aesthetic duty refracted on a vast scale and reverberating on every field of culture. By opening the dances of fashion, a crucial theme of the Call.

Kraus's acerbic moralism and sarcasm fit his personality. Even more to the point was his intense and puritanical attitude toward the use of language. It was from Kraus that Schoenberg developed the fundamental distinction between idea and style, or, in Loos's vocabulary, between structure and ornament.

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Uniquely, the readings in Housing and Dwelling underline the point of view of the user of a dwelling and assess the impact of varying uses on the evolution of domestic architecture. Housing and Dwelling is a valuable asset for students, scholars and designers alike. The book explores the extraordinary variety of methods, interpretations and.